Real OTS Analysis
'The Woman in Black' (2012) introduction is successful as it uses several effective camera shots and techniques that we should adapted into our opening sequence. The sequence uses a wide shot to set the scene letting the viewer know where this scene is supposed to be happening and the mise-en-scene allows the viewer to make a good guess on what time period its set in.
The use of the two shots and group shots also clearly shows the characters representation as innocent children, another effective technique is the use of long standing still shots which build up the suspense of the viewer thinking something is going to jump out instead it carries us on to end with a bit of lack climax, in a way luring us on as and making us continuing watching.
At the end of the sequence it zooms out to the empty room letting the viewer soak in the shock scene they have witnessed this is only best used in psychological thriller horror rather than slasher films as these types of film require more understanding.
The fact that we don't see what actually happened to the girls is a good way to confuse the audience and keep them interested as in theory its pretty obvious what would of happend but there's still a sense of mystery. (W.T)
The use of the two shots and group shots also clearly shows the characters representation as innocent children, another effective technique is the use of long standing still shots which build up the suspense of the viewer thinking something is going to jump out instead it carries us on to end with a bit of lack climax, in a way luring us on as and making us continuing watching.
At the end of the sequence it zooms out to the empty room letting the viewer soak in the shock scene they have witnessed this is only best used in psychological thriller horror rather than slasher films as these types of film require more understanding.
The fact that we don't see what actually happened to the girls is a good way to confuse the audience and keep them interested as in theory its pretty obvious what would of happend but there's still a sense of mystery. (W.T)
Like many horror intros in 'Scream' (1996) we are aware of our antagonists presence even though we dont know where he is, this technique and others in scream can be adapted into our opening sequence, the way the camera follows the victim around the house instead of cutting to different shots is also effective and should be considered in our intro as it gives of a carme atmosphere while also building suspense.
The use of the first person view from out the window is also good for building tension as at this point you are fully aware of the killers presence and therefore waiting for something to happen.
Sound bridges are great way to link to scenes together as shown in this clip, non-diegetic soundtrack should also be used to build suspenses.
(W.T)
The use of the first person view from out the window is also good for building tension as at this point you are fully aware of the killers presence and therefore waiting for something to happen.
Sound bridges are great way to link to scenes together as shown in this clip, non-diegetic soundtrack should also be used to build suspenses.
(W.T)
The opening title sequence of 'The Sixth Sense' (1999) gives an air of mystery via use of the creepy non-diegetic soundtrack and images of buildings fading in and out of focus giving the audience a feeling that there is something wrong in the town where the film is set. the the credits fade in one after the other and fade out together gives us the impression that supernatural forces are at work. This title sequence gives us an idea of how to use images and non-diegetic sound to create an air of unease.(NL)
'Shaun of the Dead' (2004) is a comedy horror based around a zombie apocalypse. Most of the opening title sequence is just pan shots of different parts to a inner city area. We really like this idea as its a good establishing shot, we are deciding on doing a vertical establishing shot as we are in the forest, we think coming down from the roof tops will give a good effect. There is also a quite jolly sound track in the background, this is to represent that its a comedy and not a true horror meant to scare people. At the end of the sequence we see a clip of Shaun staggering towards the door, this reflects that the film is actually a zombie film, but he's not one but is perceived as a zombie due to his tired state just after waking up.
(HC)
(HC)
The OTS of 'Sweeney Todd: The Demon Barber of Fleet Street' (2007) is a musical Horror film directed Tim Burton. Using the Victorian story of Sweeney Todd. The sequence focuses on the barber's chair as blood begins to flow over it and onto the various gears and mechanisms, eventually being turned into pies, giving the audience a hindsight into what the movie entails. The non-diegetic soundtrack is effective as the Organ gives off a chilling sound, making the audience aware that something is not quite right in this "innocent" barber's shop. (NL)
'A Nightmare On Elm Street' (2010) has a creative title opening sequence. This is when the main focus is on the credits of the film rather than telling a story. Due to the fact that the storyline involves children they successfully use iconic images to link with this theme. The imagery of children's games gives the impression of innocence as children are seen to be pure and untouched by evil. However this is ironic as the film completely contrasts the idea of innocence. The close up shot of the burning building blocks is quintessential to the overall storyline, for as well as portraying the idea of Freddie (the killer) being burned to death, it also connotes the idea of childhood innocence being destroyed by the flames of fear. The sequence also uses fast cut editing between shots which gives a quick pace to the opening. This is important as it draws you in to the film without taking away from the titles themselves. The titles to the movie have been written twice in the shot, emphasising them even more. I also liked the idea of scratching the titles into wood or drawing them in chalk as it is a reminder of youth, as that is what children in school used to do. There are also several close up shots of Freddie creating the knife hands in which he uses to kill his victims. They are spliced in a non liner timeline throughout the title sequence. This effectively contrasts with the imagery of children as it connotes evil and death. There are several different lighting changes throughout the sequence. The bright lighting while the children enjoy playing outside contrasts with the dim lighting of Freddie's workshop where he is creating his tools. This effectively connotes the dark and light side to this menacing film. Also the use of darker lighting on the rocking horse at the beginning is very effective as it makes something innocent look evil, making you feel like nothing is safe.
(EP)
(EP)